Showing posts with label playing around. Show all posts
Showing posts with label playing around. Show all posts

Thursday, 23 October 2014

extracting colour

After the colour workshop, I've been going through my research photos and pulling out the colours to make some more palette arrangements linking to my project.

Seeing as the Tanzanian landscape had quite a busy feel, with many different materials and surfaces being recycled and reclaimed, and being reused in a multitude of ways, I like the idea of using found objects in my colour work...it's like the 'fabric' of the environment there was very responsive, in flux, and cultivated collectively by all the people living there...so I want my work to have a similar feel...a bit of a jumble...collections and arrangements of colour that evoke the lively, quirkiness of the place....a sense of rawness and imperfect human touch....a realness and an immediacy....











Thursday, 9 October 2014

exploring the orange cont.

starting to play around with a rather orange moodboard.....

gathering things onto sheets exploring the earthy orange tones...
BAM! powdery orange! this was actually bits of pastel shredded up to roll my paper-bead experiments in, to add texture to the finished surface of the beads (I'll add pictures of the progress of these soon). However- I love the effect of the colour on the shiny silver foil I had to hand as a surface to crumble it on- there's potential explore these colour combos with the contrasting silver sheen, further, I think!
my powdery splats onto foil remind me of these kind of splashes of colour that were dotted around the earthy ground of Tanzania:



now- drawing from my floor silhouette images. just outlining the silhouette shapes on tracing paper with pastel lines, playing around with the dark shadow and bright outlines on tracing paper (the fact that you can see the newspaper I was working onto underneath is not intentional, ha!)


pastel exploration of organic flow of orangey ground, contrasting with the purple/plum/pinky shadows... there is so much to explore from my research! and this has just been with a focus on 'orangey' areas so far!

Sunday, 19 January 2014

final drawing week

As well as encouraging us to continue drawing from our collections to inspire our technical block work, the drawing weeks have all had something else in common: they challenge conventional ideas about drawing in a fun, and sometimes simply silly way! A breath of fresh air between the intensity of the 2 week assessments, it seems almost a bit sad that this week was our last one. 

On the first day, our first exercise was to 'draw' someone else's shoe from newspaper. I actually really enjoyed modelling this. Thinking about the object in 3 dimensions to be able to recreate it was a good reminder that when you draw with pen and paper the concept is still the same- objects aren't (normally!) just FLAT, they have textures and surfaces and insides....
my paper version of Jess' shoe
Then, in an 'art-attack'-esque fashion (I used to LOVE that show when I was younger), we had to quickly create an image of an animal out of random items of clothing we had with us. It's a good challenge just working with whatever materials you have to hand. Although you are constrained by their physical properties, you are equally liberated, in that you can use them however you want to! This translates to materials for textiles work too. At some point soon I can't wait to get into the wood and metal workshops and create a textile piece that doesn't just involve fabric and thread!
Our lion!
Then we had to combine paper and clothing, using the garment as a landscape for some kind of scene. I turned this hat into a jacuzzi. Everybody made pretty wacky, imaginative things....
some very 'serious' work...!

my jacuzzi hat

John's drawing day was also based around boundaries intended to give freedom. We had to draw our partner next to us using only cube shapes, then circles. It was quite hard to draw them whilst they were simultaneously trying to draw you...let alone the fact that we were drawing by layering up shapes! I found it really enjoyable though, and like exercise from the day before, it pushed me to think more in terms of 3D
My 'cube' drawing of Zehra
Zehra made from circles!
 We then had a truly bizarre task. Writing a list of 10 things we'd change about ourself/super powers we'd like to have, our partner had to translate the information into a medieval-style portrait of us. I told Zehera that I wanted parrot wings, hands that could grow flowers, pogo sticks in my feet and boom-box knees amongst several other crazy things, so she had quite a laugh making my portrait!
Zehra's interpretation of me
On the final day we were working from our Box Clever collection. Claire was continually timing each drawing we did of our objects- mostly we were working between 10 and 30 to 50 seconds...so not all that long at all really! It meant there was no time to consider what we were doing- you just had to work instinctively and keep up with the clock!
series of speedy 30 second sketches 
Towards the end, we drew one of our objects, then left paper ontop of our work, hid the object, and went round as a group writing down what each person's drawing reminded us of. My yo-yo drawing got some fairly interesting comments...
yo yo
...or is it jelly...or a bottle top?!
It made me realise though how beneficial it can be to ask people their opinions about your work. Everyone sees things differently, and a fresh perspective can highlight ideas you might not have ever thought of yourself...or can make you realise that what you thought you were conveying isn't coming across! 

These drawing weeks have been great- a chance to loosen up, have time to reflect and be re-inspired for each new block. And also to just have a good giggle- which we all need, don't we?! 

Sunday, 17 November 2013

Weave under-way!

It's weave-time! First I tried plain weave, the most basic style of weaving. I think it could be quite effective to have strips of plain weave in bright blocks of colour between sections of more structured/manipulated bits of weaving. 
Looking at my artwork and windings, I decided to start playing around with a few different colours and qualities of yarns in the weft. I especially want to focus on getting the plastic-y shine of my research objects, so I've been making up bobbins with iridescent thread wound into them and have brought some jelly-like plastic cord. 
mixed blue and iridescent bobbin
 Lisa introduced us to lifting plans, where you can move the heddles in different formations to start creating different patterns in your fabric. Here I was playing around with a 1/3 twill- I like how you get a different effect on the front and the back. It will be interesting to fully examine this when my samples so far are cut off the loom!

I feel like I only just got going- now I have so many ideas I want to try out! Next week, I want to try and experiment a bit with the surface of my weave, and see how I can add in some more texture, rather than having all completely flat pieces. I hope I'll have enough workshop time to play around a bit more, as well as making some final samples for the block.